Sennheiser x Apogee; Downloads; Videos. Rosetta-200, and Rosetta-800 with the x-symphony. Doesn’t require the installation of additional software or drivers. View and Download Apogee Rosetta 200 datasheet online. 2-channel, 24bit/192kHz AD/DA Converter. Rosetta 200 Media Converter pdf manual download.
Please Apogee to discuss your Java needs or to inquire about Apogee creating for your organization a robust and high performance JRE targeted at our device that will fully satisfy all such needs. Instructions for obtaining an evaluation copy of Apogee's JRE: • locate a JRE that is most compatible with your target platform • a template Evaluation Agreement • complete, date and sign Evaluation Agreement • complete Exhibit A using JRE/OS/ARCH information below • fax a signed copy to 408.369.9018 • alternatively, email a scanned signed copy to • wait for download instructions to arrive via email or call 408.369.9001.
Photo: Mike Cameron Apogee's new converter builds on the reputation of the original PSX100 and Rosetta units, upgrading the sonics and adding a pile of new facilities, including sophisticated jitter-reduction processing and sample-rate conversion. The Rosetta 200 is the newest two-channel converter in Apogee's impressive range, and it replaces both the highly regarded PSX100 and its simpler sibling, the original Rosetta converter, both of which I reviewed back in SOS November 1999.
The converter and clock technology employed in the Rosetta 200 is essentially the same as that in the Rosetta 800 (reviewed in SOS March 2004), with full support for sampling rates up to 192kHz (including SMux facilities for the ADAT port) and comprehensive I/O connectivity. There is also a slot for an optional interface module, with cards available to couple directly with Pro Tools (either new HD or older Mix systems) and for a Firewire interface for native DAWs. The PSX100 was a superb unit, and the Rosetta 200 is designed to build on that, offering excellent signal routing and format-conversion functions, but perhaps the real icing on the cake is the new Coda 'Audio Finishing Module'.
This provides (for the first time in an Apogee product) high-quality sample-rate conversion, along with an automatic level-setting facility for the A-D converter called the Aptomizer. The familiar UV22HR dithering algorithm is also included, as is Apogee's Soft Limiter — an fast-response analogue input limiter. The rear panel of the Rosetta 200 carries balanced line-level analogue inputs and outputs on XLRs, adjustable for peak levels anywhere between +2dBu and +26dBu. AES3 inputs and outputs are also on XLRs, dual sockets being provided to accommodate double-wire interfaces for high sample rates. Phono (RCA) sockets are used for coaxial S/PDIF in and out, along with a pair of Toslink optical sockets (configurable for ADAT or S/PDIF formats).
Word-clock input and output are on BNCs (with selectable 75Ω input termination), and there is also a pair of MIDI sockets (in and out), a removable plate over the interface card slot, and an IEC mains inlet (accepting anything from 90-250V AC). The MIDI sockets are provided for software updates, but if the Firewire card is installed then MIDI data can also be passed via these sockets to the host computer.